BEUYS, Minnesota: Dayton‘s Gallery 12, 1974. Poster
Joseph Beuys
«Zwei Fraülen mit leuchtendem Brot, 1966», in Dé-coll/age, no. 5, Kohl / New York: Wolf Vostell, February 1966
Joseph Beuys
Beuys, Mönchengladbach: Städisches Museum, 1967
Joseph Beuys
Intuition, 1968. Wood, ink and pencil
documenta 4 [Friedrichsplatz (documenta IV)], Heidelberg: Staeck, n.d. [1968-1969?]
Joseph Beuys
Künstlerpost, 1969. Plastic, margarine, chocolate and oil
Bernd Jansen
1ª Gebratene Fischgräte, 1970
Joseph Beuys, Henning Christiansen
Celtic + ~~~, Basel/Munich: Klüser und Schellmann / Joerg Schellmann, 5 April 1971
Joseph Beuys: La Rivoluzione Siamo Noi, s.l. [Naples/Heidelberg?]: s.n. [Modern Art Agency / Tangente?], n.d. [1972?]. Poster
demokratie ist lustig, Heidelberg: Staeck, n.d. [1972?]
Fluxus Zone West, Berlin: Hundertmark, n.d. [1972?]
Joseph Beuys
3-Tonnen-Edition, n.d. [1973-1985?]. Silkscreen on PVC with addition in oil paint, signed and numbered
Joseph Beuys
3-Tonnen-Edition, n.d. [1973-1985?]. Silkscreen on PVC with addition in oil paint, signed and numbered
Joseph Beuys
3-Tonnen-Edition, n.d. [1973-1985?]. Silkscreen on PVC with addition in oil paint, signed and numbered
Joseph Beuys
Rose für direkte Demokratie, n.d. [1973?]. Glass test tube
Gwen Phillips
Untitled [I like America and America likes Me], n.d. [1974?]
Joseph Beuys
Pflasterstein, s. a. [¿1975?]. Tinta sobre bloque de basalto
Joseph Beuys; Werner Krüger
Output, 1978 [detail]
Coyote, Cardiff: Welsh Arts Council, n.d. [1978?]. Poster
Buby Durini
Untitled [Honigpumpe am Arbeitsplatz], n.d. [1979?]
05 March, 2021 - 23 May, 2021
La Virreina Centre de la Imatge, Barcelona
Curated: Valentín Roma
Joseph Beuys (Krefeld, 1921 – Düsseldorf, 1986) embodies, perhaps unwillingly, some of the major dichotomies paired by art during the 20th century. A shaman and a clown, a torchbearer at dawn and a messenger at dusk, Beuys the man and his body of work present a three-fold challenge that is not always easy for contemporary spectators to grasp: how they should handle artists’ provocation; what temptations might lead them to cynicism; to what extent disorder reinvents the public sphere.
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