Erich Heckel, Ernst Ludwig Kirchner, Otto Mueller, Karl Schmidt Rottluff
Die Brücke, Oldemburg: Littmand, 1912
Wassily Kandinsky, Franz Marc
Der Blaue Reiter, Munich: R. Piper & Co., 1912
Wassily Kandinsky, Franz Marc
Der Blaue Reiter, Múnich: R. Piper & Co., 1914
Wassily Kandinsky
Über das Geistige in der Kunst, Munich: R. Piper & Co., 1912
Bauhaus-Drucke. Neue Europäische Graphik. Erste Mappe. Meister des Staatlichen Bauhauses in Weimar, Weimar: Staatlichen Bauhaus, 1921
Entartete "Kunst": Ausstellungsführer, Munich: Verlag für Kultur und Wirtschaftswerbung, 1937
Der Sturm. Sonderheft Typographie, Vol. 19. n. 6, Berlin: Der Sturm, 1928
Erste Internationale Dada-Messe, Berlin, 1920
Walter Gropius, Lionel Feininger
Programm des Staatlichen Bauhauses in Weimar, 1919
Documenta: Katalog 1, Kassel: Documenta, 1968
19 October, 2015 - 21 February, 2016
Museo Picasso Málaga, Málaga
Curated:
This group exhibition showcases the result of research into a subject that has been little studied until now: the connections, affiliations and divergences between the work of Pablo Picasso and a select group of German artists who were his contemporaries, and artworks that adhered to the figurative tradition. Museo Picasso Málaga will display works by Pablo Picasso, Max Beckmann, Heinrich Campendonk, Lucas Cranach the Elder, Lucas Cranach the Younger, Otto Dix, Max Ernst, Frans Francken, George Grosz, Erich Heckel, Hannah Höch, Wassily Kandinsky, Ernst Ludwig Kirchner, August Macke, Paula Modersohn-Becker, Otto Mueller, Emil Nolde, Max Pechstein and Karl Schmidt-Rottluff.
The exhibition’s narrative is set between 1905, the year in which the group Die Brücke (The Bridge) was established in Dresden, and the opening of the Documenta 1 international exhibition in Kassel in 1955.