Manuel Maples Arce; Jean Charlot
Urbe. Super-poema bolchevique en 5 cantos, Mexico City: Andrés Botas e hijos, 1924
George Grosz
Graphic portfolio Gott mit uns, Berlin: Der Malik Verlag, June 1920
George Grosz
Gott mit uns, Berlin: Der Malik Verlag, June 1920 [inside]
Richard Huelsenbeck; George Grosz
Phantastische Gebete, Berlin: Der Malik, 1920
Celestino Herrera Frimont; Leopoldo Méndez
Los corridos de la revolución, Pachuca (Mexico): Instituto Científico y Literario, 1934
M. Ilin; José Renau, José Chávez Morado
Las montañas y los hombres, Mexico City / New York / Paris: Estrella, editorial para la juventud, 1939
Lorenzo Turrent Rozas; Leopoldo Méndez
22 de diciembre (diario de un estudiante), Mexico City: México Nuevo, n.d. [1937?]
22 March, 2022 - 29 August, 2022
MNCARS, Madrid
Curated: Benjamin H. D. Buchloh y Michelle Harewood
The exhibition From Posada to Isotype, from Kollwitz to Catlett centres its research on the development and exchange between different purportedly obsolete and anti-technology print media — woodcuts, wood engravings, linocut and lithography — and its role and means of distribution in divergent geopolitical and social contexts. The show, curated by Benjamin H.D. Buchloh and Michelle Harewood, is articulated around four major areas, starting with early examples by Mexican artist José Guadalupe Posada and German artist Käthe Kollwitz, two major figures in printmaking at the end of the 19th century, moving on to German Expressionism and the Taller de Gráfica Popular (The People’s Print Workshop) from Mexico, and ending with the project Isotype (International System of Typographic Picture Education) by Otto Neurath and Marie Reidemeister-Neurath, from Austria, and German artist Gerd Arntz.
LINKS
MNCARS (Madrid)