Gerardo Diego
Imagen. Poemas, Madrid: Renacimiento, 1922
Gerardo Diego
Manual de espumas, Madrid: Cuadernos Literarios, 1922
Vicente Huidobro; Robert Delaunay
Tour Eiffel, Madrid: Imprenta J. Pueyo, 1918
Creación. Revista Internacional de Arte, n. 1, Madrid: Vicente Huidobro, 1921
Letter from Gerado Diego to Vicente Huidobro, 13 April 1920
Pedro Garfias, Juan Chabás, José Rivas Panedas
Horizonte, n. 1, Madrid: s.n., 1922
Blaise Cendrars
La fin du monde, filmée par l’Ange N. D. Novela, Paris: Éditions de la Siréne, 1919
André Lhote, Ilya Zdanevich
Fête de nuit à Montparnasse. Bal costumé, Paris: Imp. Engelmann, 1922
22 July, 2013 - 04 August, 2013
Palacete del Embarcadero, Santander
Curated: José María Lafuente
The Chilean poet Vicente Huidobro (1893–1948) was founder of the "creacionismo" (creationism) movement, which shunned any reality in literature other than that of the literary piece itself and defended a kind of distanced, cerebral and intellectual poetry. Before initiating his own literary movement, Huidobro had associated himself with surrealism and futurism. He was a man of considerable influence among the (then) young poets of the Generation of ’27, one of which was the Santander-born Gerardo Diego (1896–1987), who would later become the strongest advocate in Spain of the Chilean author’s poetry. The relationship between Vicente Huidobro and Gerardo Diego constituted the main theme of this exhibition, organised by Ediciones La Bahía and the Fundación Chile España, with documentation provided by the Lafuente Archive. Several works produced by Huidobro between 1913 and 1931 were featured in the show, along with other titles which included the first edition of the book Tour Eiffel with cover design by Robert Delaunay.
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